BRAINSTORMING
Determine purpose (what do you want the essay to accomplish?), audience (general readers or specific specialized group), tone (your attitude will be reflected in your sentence structure and word choice)
Limit the subject: ask who, what, when, where, how, why
Organize thoughts; get rid of ideas that do not pertain to your purpose, audience, tone, or limited subject; make a scratch outline
Formulate a thesis
STRUCTURE
Introduction: informs readers of the general subject of the essay, catches their attention, and presents the controlling idea or thesis. Methods: anecdote, quotation, surprising statistic or fact, questions, narrow down from broad subject to a more limited one.
Body: presents evidence which lends substance to your main ideas and helps readers accept your viewpoint. Evidence should be unified (all supporting ideas and details should relate directly to the point you are making), adequate (there should be enough evidence to convince your reader of your argument), and specific (vivid and detailed).
Conclusion:
brings
the essay to an end, giving the reader a sense of completeness and
finality;
may reassert the thesis and express a final thought about the
subject.
Methods: summarize main points, use quotation, predict an
outcome,
recommend an action.
MODES
DESCRIPTION involves
the use of vivid word pictures to express what the five senses have
experienced.
The subject of a descriptive essay can be a person, place, object, or
event.
There are two
main types of description. In an objective description, a
writer
provides details about a subject without conveying the emotions the
subject
arouses. For example, if you were involved in a traffic accident,
your insurance agent might ask you to write an objective description of
the events leading up to and during the crash. But in a
subjective
description, the writer’s goal is to evoke in the reader the emotions
felt
during the experience. For example, in a cautionary letter to a
friend
who has a habit of driving dangerously, you might write a subjective
description
of your horrifying close call with death during a car accident.
NARRATION means recounting an event or a series of related events to make a point. Buzz words: now, then, next, after, later. Flashback and flashforward if necessary. Point of view and dialogue.
EXEMPLIFICATION involves using concrete specifics to support generalizations. In exemplification, writers provide examples or instances that support or clarify broader statements. Use facts, anecdotes, statistics, details, opinions, and observations. Make sure examples are relative and representative.
PROCESS ANALYSIS refers to writing that explains the steps involved in doing something or the sequence of stages in a recurring event or behavior. There are two types of process analysis. In directional process analysis (usually use “you”), readers are shown how to do something step by step (as in cookbooks, tax form instructions, and how-to books). In informational process analysis (use “I” or “he”), the writer explains how something is done or occurs, without expecting the reader to attempt the process (how a bee makes honey, etc.). Buzz words: first, next, now, while, after, before, finally.
COMPARISON-CONTRAST
means explaining the similarities and/or differences between events,
objects,
people, ideas, and so on. Usually writers use comparison-contrast
to make a judgment about the relative merits of the subjects under
discussion.
Sometimes a writer will concentrate solely on similarities or
differences.
An analogy is an imaginative comparison that delves beneath the surface
differences of the subjects in order to expose their unsuspected
similarities
or significant differences.
In the
one-side-at-a-time
method, you discuss everthing relevant about one subject first and then
switch, in turn, to other subjects. This conveys a more unified
feeling
since it highlights broad similarities and differences. In the
point-by-point
method, you alternate from one aspect of the first subject to the same
aspect in your other subject(s). This is wise when subjects are
complex
because it offers more extensive coverage of similarities and
differences.
Buzz words: also, in the same way, likewise, similarly, by way of
contrast, on the other hand, however, but.
CAUSE-EFFECT involves analyzing the reasons for or results of an event, action, decision, or phenomenon. Writers develop an essay through an analysis of causes whenever they attempt to answer such questions as “Why has this happened?” or “Why does this exist?” When writers explore such questions as “What happens or would happen if a certain change occurs?” or “What will happen if a condition continues?” their essays involve a discussion of effects. Some cause-effect essays concentrate on the causes of a situation, some focus on the effects, and others present both causes and effects.
DEFINITION explains the meaning of a word or concept. You may use extended definition to convey a personal slant on a well-known term, to refute a commonly held interpretation of a word, or to dissect a complex or controversial issue. Effective introductions might include explanation in terms of origin or etymology, definition by negation, or stipulative definition (one that puts restrictions on a term; especially useful when a term has more than one meaning or fuzzy meaning).
DIVISION-CLASSIFICATION refers to a logical method for analyzing a single subject or several related subjects. Division involves breaking a subject or idea into its component parts. Classification involves organizing a number of related items into categories. Buzz words: components, kinds, types, parts
REVISION means,
literally,
“reseeing” your first draft with a fresh eye, as if you were a new
reader.
In revising, you make whatever changes are necessary to increase the
essay’s
effectiveness. You might eliminate weak phrasing or examples,
change
the organization, add transitions, or rework whole paragraphs.
Such
changes often make the difference between mediocre and superior
writing.
Revision is the last stage of the writing process.
ORGANIZATION
Spatially-from top to bottom, from interior to exterior, from near to far
Chronologically-as the subject is experienced in time
Emphatically-ending with the most striking elements of your subject
Be specific; use
language
involving the readers’ senses; use figures of speech, such as similes
(comparisons
using like or as), metaphors (implications that two things are alike),
and personification (attributing human characteristics to inanimate
things);
vary your sentence structure; use dramatic license (reshape events to
suit
your point); use flashback and flashforward, dialogue; remember that
examples
make writing interesting and help ensure clear communication; select a
tone consistent with your purpose, your attitude towards your subject,
and the effect you want to have on the reader; be consistent.
PROOFREADING
Read the paper
sentence
by sentence; remove deadwood.
Read the paper
backwards,
thus forcing you to focus on every individual word.
Read the paper into
a tape recorder and listen to it to see where punctuation is needed;
wherever
there is a natural pause, there should probably be a comma.